CREDITS


IMAGE CREDITS
All rights reserved by the artist, with following additions:
Vik Bayer, Marlene Coats, Hengesbach Gallery Wuppertal, Henry Jesionka, Galerija Simulaker/k.p.l., Galerija Kranjčar/Juraj Vuglač, kunst-dokumentation, LFA/Serena Schettino, Lou Jaworski, Guilherme Magessi, Sara Rman

WEB DESIGN
Andrei Yagoubov

ABOUT


Andrea Zabric (b. 1994, Ljubljana, Slovenia) is a painter who writes about and through her medium. Her practice develops from the reciprocal processes of making and encountering images, extending from compressing pigment powder and designing work garments to scripting radio broadcasts, developing educational programmes, and creating painterly installations. Central to her work is an exploration of the ontological and embodied dimensions of painting, informed by feminist and psychoanalytic approaches and attentive to the interplay of material, gesture, and perception.

She graduated in 2018 in Painting and Graphics from the Academy of Fine Arts in Munich, and in 2019 completed an undergraduate degree in Art History and Philosophy at Ludwig Maximilian University. She earned her Master’s in Critical Studies at the Academy of Fine Arts in Vienna with the project Painter-Antenna. Andrea Zabric has presented her work in five solo exhibitions and numerous international group shows, including at LFA in Naples, the Kranjčar Gallery in Zagreb, and Salzburger Kunstverein. She lives and works between Vienna and the Karst region.

CV

CONTACT andrea zabric@gmail.com

A model
3 October 2025 – 30 October 2025
Prostor 2^32, Trg prekomorskih brigad 1, Ljubljana (SI)

Foto: Sara Rman

AFRA

Lacatena Fine Arts, Naples, 2024 

Curated by Francesca Lacatena
Photos by Serena Schettino

Untitled (from the Umbra Series, No. VI), 2024 | Pigments and binders on birchwood panel, Ø 24,4 cm | Photo: Serena Schettino

AFRA, Lacatena Fine Arts, 2024 | Photo: Serena Schettino

AFRA, Lacatena Fine Arts, 2024 | Photo: Serena Schettino

Untitled (from the Graphite Series, No. XVI), 2023 | Pigments and binders on birchwood panel, Ø 140 cm

Untitled (from the Umbra Series, No. I–III), 2022 | Pigments and binders on birchwood panel, each 67 × 42 cm | Photo: Juraj Vuglač

Details, Untitled (from the Umbra Series, No. I–III), 2022 | Photo: artist’s archive

Untitled (from the Umbra Series, No. VIII), 2024 | Pigments and binders on birchwood panel, 40 × 28 cm | Photo: Serena Schettino

AFRA SPERANTIA

Galerija Kranjčar, Zagreb, 2024

Curated by Leila Topić | Text
Photos by Juraj Vuglač

AFRA SPERANTIA, Galerija Kranjčar, 2024 | Photo: Juraj Vuglač

AFRA SPERANTIA, Galerija Kranjčar, 2024

Pigment Sculpture Berlin Red, 2018-ongoing | Pressed raw Berlin Red pigment, dimensions variable | Photo: Juraj Vuglač

AFRA SPERANTIA, Galerija Kranjčar, 2024 | Photo: Juraj Vuglač

Pigment Sculpture 45010, 2024 | Pressed raw ultramarine pigment, dimensions variable

AFRA SPERANTIA, Galerija Kranjčar, 2024 | Photo: Juraj Vuglač

Pigment Sculpture 40060, 2024 | Pressed raw ochre pigment, dimensions variable

Untitled (from the Apennine Series, No. I), 2023  | Pigments and binders on wooden panel, 40 x 28 cm | Photo: Henry Jesionka

Pompeii Chapellet, 2024 | Mixed media installation | Photo: Juraj Vuglač

Pompeii Chapellet, 2024 | Mixed media installation | Photo: Juraj Vuglač

Untitled (from the Umbra Series, No. V), 2023 | Pigments and binders on birchwood panel, 40 x 28 cm

tuta I (Prototype), 2020 | Natural linen and black cotton, custom-made at Studio Bobojević | Photo: artist’s archive
Untitled (from the Graphite Series, No. XIII), 2021 | Pigments and binders on birchwood panel, 120 × 148 cm

tuta
A Workwear Series
Text by Miriam Stoney

Detail tuta I (Prototype), 2020 | Design by Andrea Zabric & Gordana Bobojević made in Atelier Bobojević | Concept and photo: Marlene Coats

tuta V (for Leonie), 2021 | Video work My Desire to touch Your Signifier | Design Andrea Zabric & Gordana Bobojević, made in Atelier Bobojević | Photo: Vik Bayer


tuta II (for Miriam), 2020 | Performance in Haus Wien | Design by Andrea Zabric & Gordana Bobojević, made in Atelier Bobojević | Photo: artist's archive

Systems of Support, Salzburger Kunstverein, 2023 | Photo: kunst-dokumentation

tuta VI , 2020 | Design by Andrea Zabric & Gordana Bobojević made in Atelier Bobojević | Concept and photo: Marlene Coats

tuta IV, 2020 | Blue Vietnamese silk | Design by Andrea Zabric & Gordana Bobojević, made in Atelier Bobojević | Concept and photo: Marlene Coats

Untitled (from the Graphite Series, No. XII), 2018 | Pigments and binders on birchwood panel, 152 x 120 cm | Photo: artist’s archive

PALMINA ZIMA

Galerija Simulaker, Novo mesto, 2022

Curated by Adrijan Praznik 

Text by Andrea Zabric (SL)

PALMINA ZIMA, Galerija Simulaker, 2022 | Photo: Maid Hadžihasanović

Pigment Field II, 2022 | Raw graphite powder, dimensions variable | Photo: Galerija Simulaker

Untitled (from the Graphite Series, No. XV), 2020 | Pigments and binders on birchwood panel, Ø 140 cm | Photo: artist’s archive

Pigment Sculpture 4770/10, 2022 | Raw pressed graphite powder, Ø 29 cm | Photo: artist’s archive

Workshop for Graphite Sculptures, 2022 | Photo: artist’s archive

PIGMENT SCULPTURES

 

elements, 2019 | Gig Munich

with Lukas Hoffmann

Curated by Magdalena Wisniowska | Text 

Photos by GiG

Mould for Pigment Sculpture Berlin Red, 2018 | Wood and steel | Foto: Lou Jaworski

Pigment Sculpture 48401, 2018-ongoing | Raw pressed iron oxide black pigment, dimension variable | Photo: Lou Jaworski

Pigment Sculpture 21110, 2020- ongoing | Raw pressed cadmium red pigment, dimensions variable | Photo: Gui Maggessi

Pigment Sculpture 48401, 2018-ongoing | Raw pressed iron oxide black pigment, dimensions variable | Photo: Lou Jaworski